a5c7b9f00b When time travel was developed by a scientist in 1994, there was the need to create the Time Enforcement Commision (TEC) under the control of Senator Aaron McComb to protect the past from modifications. The police office Max Walker is invited to join the TEC, and when his wife Melissa is murdered by strangers, he accepts the invitation to work under the command of Eugene Matuzak. In 2004, Walker is assigned to capture his former partner Lyle Atwood that is manipulating the stock market in 1929. Atwood tells that he is working for Senator McComb, who is a powerful politician that is running for president. Atwood prefers to die and does not confess that McComb is a criminal. Now Max knows the truth but McComb is changing the past and Max does not know how stop him.
Max Walker, an officer for a security agency that regulates time travel, must fend for his life against a shady politician who's intent on changing the past to control the future.
Oh my god there's some miserable people rating stuff these days. I understand not everyone likes the same things but every movie I watch with a low rating some actually turn out to be great.
Peter Hyams has been making notable film ever since 1978, by "notable" I mean films pertaining to a particular genre which he has stuck to ever since. My review here is less a meditation of Timecop and more a look at how Hyams' work is never original and often winds up being poor imitations or self-referential.<br/><br/>Capricorn One introduces us to the whole "paranoid conspiracy" plot with many holes in the script and some pretty bad casting. It also attempts to make a statement about the use of technology in faking history. These elements are all present in Timecop.<br/><br/>Outland and 2010 further his attempt in futuristic actions. While the 2004 presented in Timecop is certainly far from the 2004 we know, it does bear many similarities to Hyams' prior "hardware-obsession" films. For the record, True Lies and Blackhawk Down are also "hardware movies"–soulless. It's also interesting how, before James Cameron, Hyams was trying to create the contemporary sci-fi film without the intervention of the space opera element. Needless to say, he's notsophisticatedCameron–if you want to label himsuch.<br/><br/>End of Days, the Relic, and the Musketeer all further in Hyams' rather self-destructive course into less and less intelligent film (if he was ever intelligent to start with) and I can guarantee his next works will be bargain-bin only material. He is making the same movie over and over and only tries to make difference by recasting and swapping elements.<br/><br/>Timecop not only infuses the techie aspects of the Back to the Future and Terminator movies, but strips itself of the human elements that made the other two series better. JC-VD is not an expressive actor since his only asset is physical control. Bruce Lee knew he was an inferior actor so he stuck to his moves, Van Damme doesn't.<br/><br/>Overall, this is Hyams where he should stay, the low-budget sci-fi/action field, because he can't rise to anything else. As a filmmaker all around, I give him 2 out of 5 stars. Same for this movie.
Timecop, a low-rent "Terminator," is the kind of movie that is best not thought about at all, for that way madness lies.

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